Jazz » Lake Jazz
Music has always featured in films and quite often it reflected the popular music style of the day. The rising interest in Traditional Jazz in the UK through the 1950s and up to the 'Trad Boom' of the 1960s led to Traditional Jazz Bands appearing in films. There were those cashing in on the phenomenon, IT'S TRAD DAD, BAND OF THIEVES, and serious films with a Jazz content, THE WILD AND THE WILLING, LOOK BACK IN ANGER. This CD takes a broad look at the ... [MORE]
LACD338 Remembering Pat Halcox 2 CDs
LACD349 Remembering Ian Wheeler 2 CDs
LACD344 Remembering Monty Sunshine 2 CDs
LACD347 Remembering Steve Lane 1 CD
Each of these titles is a career retrospective of four popular icons of British Jazz.
Pat Halcox joined Chris Barber's Band in the early 1950s and held the trumpet chair until 2008, the longest serving partnership in Jazz!
Ian ... [MORE]
LACD346 BARBER BACK IN BERLIN 1960 - LACD351 BARBER IN DETROIT 1959
Back in Berlin has the Barber band in cracking form on their triumphant return to Germany in 1960.All your favourites are here including Monty Sunshine, Pat Halcox the leader himself and Ottilie Patterson.
Barber in Detroit has the only recordings from the first tour of the USA in 1959, and this is their first release. The band again features the usual suspects ... [MORE]
This 2 CD special offer includes the iconic Blues Book and Beyond (LACD296) and one of LAKE'S all-time best selling releases That Patterson Girl (LACD244).
LACD296Before her retirement in 1966 Ottilie Patterson had only one Jazz LP devoted to her, 'CHRIS BARBER'S BLUES BOOK'. This release sees that original album of classic blues, R'n'B material and a couple of her own compositions, enhanced with some previously unreleased ... [MORE]
Volumes 5-8 of this popular series from Lake Records. Short descriptions of each volume inside, while you will find full track listings for each CD under their individual listings.
The first four CDs in this popular series at a special price. Short descriptions of each volume inside, while you will find full track listings for each CD under their individual listings.
SPECIAL OFFER! Ben Cohen, one of the legendary ‘backroom boys’ of British Traditional Jazz, spent his whole career in amateur or semi-professional bands, but was widely regarded as one of the best exponents of the early Louis Armstrong style of playing. He stuck doggedly to the cornet rather than the trumpet and was well-known for his blistering, but always tasteful, thoughtful solos and firm lead. After we released Vol.1 (LACD334) we had a number ... [MORE]
This series charts the great British bands of the Trad revival. Originally on the pioneering Esquire record label, these tracks are a perfect snapshot of the early years of the jazz revival. Buy all 4 for the special offer price of £45. Band information inside - full track listings under each individual title's listing. [MORE]
The early years of the LAKE Chris Barber Collection are represented here with much previously unreleased material plus EP favourites, including portrait Eps of Monty Sunshine, Pat Halcox, Ottilie Patterson and Chris Barber himself.
LACD325 1961-62. LACD324 1959-1960. LACD332 The 1970s. Full details on each individual CD listing. [MORE]
From the LAKE Year Series of Chris Barber retrospective, come three titles - LACD324 1959 – 1960, LACD325 1961-1962 and LACD332 The 1970s. They include a number of Eps, singles and some previously unreleased items. Personnel include Monty Sunshine, Pat Halcox and Ottilie Patterson. Chris Barber had added the Blues guitar towards the end of the 1960s. LACD332 brings us to the 1970s and the renaming of the Jazz Band to the Jazz and Blues Band. All the 70s ... [MORE]
Vol. 9 of the AT A TANGENT series is devoted to the MAINSTREAM bands involved in British Jazz. ‘Mainstream’ was a term coined in the 1950s to denote a more arranged Jazz sitting somewhere between Traditional/Dixieland and Bebop/Modern. It is akin to small band Swing and the main protagonist in the UK is always held to be Humphrey Lyttelton, but Kenny Baker and others were playing in the style before Humph did. The problem is that very few working bands ... [MORE]
Of the new wave of British Traditional Jazz bands which emerged from the Traditional Jazz revival in the 1940s, Humphrey Lyttelton had the leading, most popular band and it was the band which secured the first record deal with a major label, Parlophone in 1949. Hot on Lyttelton’s heels was Freddy Randall who signed for Parlophone in 1951. The various stylistic ‘camps’ were emerging – New Orleans, Classic, Chicago/Dixieland and eventually Trad – and Freddy ... [MORE]
Vintage Jazz music was what Steve Lane specialised in. From the late 1940s up until the 2000s Steve Lane’s various bands recreated the sounds of the Classic Jazz era of King Oliver, Jelly Roll Morton, Bix Beiderbecke and a whole host of others. Steve also ran the Vintage Jazz Music record label, VJM. Never content to simply carbon copy the originals Steve Lane would put his own stamp on the tunes whilst remaining true to the genre. Steve never turned ... [MORE]
Mike Daniels formed his first band in the late 1940s when the emerging British traditional style Jazz bands were searching for an identity. Mike Daniels decided to model his band on the Classic bands of the 1920s, King Oliver, Jelly Roll Morton, Bix Beiderbecke et al. By the late 1950s the band was one of the best – and one of the few – to specialise in that style. The band’s golden period was the period covered by this CD. The band rarely recorded ... [MORE]
Between them Jeff Barnhart and Spats Langham have been on more LAKE CDs than any other currently working artists, but this is only their second album together (previous CD ‘We Wish We Were Twins’ LACD342). Jeff is a consummate musician able to play in a variety of piano styles Classical to Stride, from Boogie to Ragtime. He visits the UK at least twice a year where he has built up an enviable following and when he gets a chance to team up with Spats. ... [MORE]
The third album by the JLJB on the LAKE label. A new line-up with three new members, but what has not changed is the repertoire. As before the material is wide-ranging mixing Jazz, Blues, Gospel, and Folk songs – all the way from the Mississippi Sheiks to the Carter Family. They have gained an enviable reputation as a lively, feel-good band both looking and sounding the part. They are not slavish copiers, but stamp their own personality on all the ... [MORE]
REMEMBERING BEN COHEN Volume 2 - BEN COHEN with THE SONNY DEE ALL-STARS AND LAURIE CHESCOE’S GOODTIME JAZZ
Ben Cohen, one of the legendary ‘backroom boys’ of British Traditional Jazz, spent his whole career in amateur or semi-professional bands, but was widely regarded as one of the best exponents of the early Louis Armstrong style of playing. He stuck doggedly to the cornet rather than the trumpet and was well-known for his blistering, but always tasteful, thoughtful solos and firm lead. After we released Vol.1 (LACD334) we had a number of queries as to ... [MORE]
In 1948 Humphrey Lyttelton formed his first full-time band and rapidly became the premier Traditional Jazz band in the UK. Several of the musicians who would become significant players later had formed bands, but until the Chris Barber Jazz Band came into being in 1954 Humph had no serious rivals. The band made early recordings on the small independent specialist Tempo and Esquire labels and in 1949 had landed a contract with the leading major label ... [MORE]
The only recordings of the band made during their historic first American tour in 1959. The recordings were pirated and issued in the USA under the name of ‘The All American Jazz Band’. Never previously released in their entirety under the band’s own name. There are six bonus tracks from the same period including a duet by Ottilie and Chris which has never been released anywhere before. The CD features the usual Barber band favourites: Ottilie Patterson, ... [MORE]
We have been asked over and over again for this CD which is a re-issue of our long deleted LACD34 plus one extra track. It features the band in 1962 and is the only commercially issued full album recorded by this line-up. It features a very young Sammy Rimington on clarinet alongside Geoff Cole on trombone in the frontline. Newcomer Pete Ridge on drums joins the two longest serving Jazzmen, Ron Ward and John Bastable.
Despite all the talk about the ... [MORE]
One of our finest reed players Ian Wheeler came to prominence in Ken Colyer’s Jazzmen when he replaced Acker Bilk in 1955. He left Ken Colyer and formed the Sims-Wheeler Vintage Jazz Band in 1959 along with trumpeter Ken Sims. It was a short stay before he got the call from Chris Barber to join his band replacing Monty Sunshine. Ian would spend 27 years in the Barber band playing clarinet, alto sax, soprano sax and harmonica. This ... [MORE]
Volume 8 in the AT A TANGENT series turns its attention to the development of the New Orleans style bands on the UK Traditional Jazz scene between the late 1940s and 1963. The early pioneers led by Ken Colyer laid the foundations based on the revival in the USA around Bunk Johnson and George Lewis. After a while a subset started to develop with younger musicians looking at what was happening in New Orleans at the time. This CD charts this development with ... [MORE]
Steve Lane is one of the unsung heroes of British Traditional Jazz. Trumpeter Lane formed his first band in 1949. He remained doggedly loyal to the Classic style of Jazz typified by King Oliver, Louis Armstrong and Jelly Roll Morton in the 1920s. Steve remained semi-professional all his life, but was highly respected as a mentor to many aspiring Jazz musicians over the years. Alongside his playing Steve also ran three record labels, VJM, Halcyon and ... [MORE]
DOUBLE CD FOR THE PRICE OF ONE
'Barber In Berlin' is one of the most popular albums in Chris Barber's discography (see 'Classic Concerts Revisited' LACD323). It was recorded at the Deutschlandhalle in Berlin in 1959 in front of a capacity crowd of 12,000. Almost exactly a year later the band was back. No-one can remember the concert being recorded, but in 2015 a set of tapes appeared and this is the resulting CD. The band is on cracking form ... [MORE]